{"id":51,"date":"2025-05-21T14:38:40","date_gmt":"2025-05-21T14:38:40","guid":{"rendered":"https:\/\/nadia-sculpture.art\/?page_id=51"},"modified":"2026-07-06T15:26:31","modified_gmt":"2026-07-06T15:26:31","slug":"a-propos","status":"publish","type":"page","link":"https:\/\/nadia-sculpture.art\/en\/a-propos\/","title":{"rendered":"About"},"content":{"rendered":"

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\u00c0 propos<\/h1>\n

[\/et_pb_text][et_pb_button button_url=\u00a0\u00bbhttps:\/\/nadia-sculpture.art\/contact\/\u00a0\u00bb button_text=\u00a0\u00bbPOUR ME JOINDRE\u00a0\u00bb button_alignment=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb20px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Je m\u2019appelle Nadia Dloussky.<\/strong><\/span><\/h2>\n

Mon chemin croise les arts plastiques autant que les aventures humaines.<\/p>\n

Avec comme h\u00e9ritage l\u2019image tut\u00e9laire d\u2019un a\u00efeul sculpteur chez Rodin et une histoire familiale faite de destins glorieux et bris\u00e9s, je poursuis l\u2019id\u00e9e que l\u2019on peut cr\u00e9er de ses mains et vivre plusieurs vies.<\/p>\n

Form\u00e9e \u00e0 la fois aux arts plastiques et au management, j\u2019ai accompagn\u00e9 de nombreux projets de d\u00e9veloppement, dirig\u00e9 une \u00e9cole de formation aux arts plastiques, et finalement choisi comme medium principal la sculpture.<\/p>\n

Je fa\u00e7onne des visages dans l\u2019argile, mat\u00e9riau originel, fragile, mall\u00e9able. Puis, je les fige dans la c\u00e9ramique ou le bronze. L\u00e0, ind\u00e9formables, ils s\u2019imposent dans l\u2019espace, \u00ab font face \u00bb comme dit Levinas et ils nous imposent leur questionnement.
La sculpture est comme \u00e7a, on n\u2019y \u00e9chappe pas.<\/p>\n

Mon travail explore l\u2019int\u00e9riorit\u00e9, le rapport \u00e0 l\u2019autre, l\u2019exil, la filiation\u2026<\/p>\n

Depuis 2011, je pr\u00e9sente mes \u0153uvres. Certaines ont rejoint des collections priv\u00e9es. D\u2019autres continuent de voyager \u00e0 travers des expositions, r\u00e9sidences, ou lieux de m\u00e9moire.<\/p>\n

Sculpter, pour moi, c\u2019est recueillir la trace de ce qui a \u00e9t\u00e9 v\u00e9cu. Offrir une pr\u00e9sence. Et parfois, une part d\u2019\u00e9ternit\u00e9.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/nadia-sculpture.art\/wp-content\/uploads\/2026\/05\/Nadia-Colombes-DSC_9306-eclaire-1-scaled.jpg\u00a0\u00bb alt=\u00a0\u00bbNadia Dloussky posant devant sculptures murales\u00a0\u00bb title_text=\u00a0\u00bbNadia Dloussky Colombes DSC_9306 eclair\u00e9\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb height=\u00a0\u00bb720px\u00a0\u00bb height_tablet=\u00a0\u00bb720px\u00a0\u00bb height_phone=\u00a0\u00bbauto\u00a0\u00bb height_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb box_shadow_style=\u00a0\u00bbpreset1″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb1vh||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\u00ab\u00a0Mon travail me m\u00e8ne dans le monde des Hommes\u00a0\u00bb<\/strong><\/span><\/h3>\n

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Je cherche leur \u00e2me. Je cherche \u00e0 capter ce qui est cach\u00e9, la trace invisible de leur histoire. Leurs douleurs, leurs f\u00ealures, leurs forces aussi.
En figeant leurs traits dans la mati\u00e8re, je cherche en r\u00e9alit\u00e9 \u00e0 faire \u00e9merger ce qui est mouvant.<\/p>\n

Dans cette qu\u00eate, j\u2019observe ce que nous r\u00e9v\u00e8lent ces visages sur nous-m\u00eames, le lien qu\u2019ils tissent. J\u2019\u00e9coute leur musique int\u00e9rieure et j\u2019y vois le miroir de notre humanit\u00e9 \u00e0 tous. Mon travail est l\u00e0, dans cette diversit\u00e9 des \u00eatres qui nous rappellent toujours de quelle argile nous sommes faits.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#F5F4F2″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb header_2_font=\u00a0\u00bbCinzel||||||||\u00a0\u00bb header_2_font_size=\u00a0\u00bb30px\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Propos et r\u00eaveries<\/h2>\n

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Tel un paysan qui travaille sa terre, je creuse un peu toujours les m\u00eames sillons. Des images qui toujours questionnent, des imaginaires entiers qui s\u2019ouvrent dans le dialogue avec le mat\u00e9riau. Je les appelle r\u00eaveries en hommage \u00e0 Gaston Bachelard qui a \u00e9crit merveilleusement comment l\u2019argile devient source. Ces champs de cr\u00e9ation deviennent des s\u00e9ries, constamment poursuivies. En voici quelques-unes.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.16″ background_enable_color=\u00a0\u00bboff\u00a0\u00bb width=\u00a0\u00bb85%\u00a0\u00bb width_tablet=\u00a0\u00bb90%\u00a0\u00bb width_phone=\u00a0\u00bb\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb max_width=\u00a0\u00bb1480px\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_padding=\u00a0\u00bb||||false|false\u00a0\u00bb collapsed=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][dipi_image_accordion accordion_height=\u00a0\u00bb500px\u00a0\u00bb active_image_relative_width=\u00a0\u00bb3″ accordion_direction_tablet=\u00a0\u00bbvertical\u00a0\u00bb accordion_direction_phone=\u00a0\u00bb\u00a0\u00bb accordion_direction_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb accordion_height_tablet=\u00a0\u00bb1000px\u00a0\u00bb accordion_height_phone=\u00a0\u00bb1500px\u00a0\u00bb accordion_height_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb active_image_relative_width_tablet=\u00a0\u00bb2″ active_image_relative_width_phone=\u00a0\u00bb1″ active_image_relative_width_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][dipi_image_accordion_child title=\u00a0\u00bbExil\u00a0\u00bb bg_img=\u00a0\u00bbhttps:\/\/nadia-sculpture.art\/wp-content\/uploads\/2025\/07\/Exil-DSC_4593-eclaire-72-DPI-eclaire.jpg\u00a0\u00bb use_onload_active=\u00a0\u00bboff\u00a0\u00bb accordion_title=\u00a0\u00bbExil\u00a0\u00bb accordion_description=\u00a0\u00bb<\/p>\n

\u00ab Mon h\u00e9ritage familial est forg\u00e9 autour de l\u2019exil, de la qu\u00eate d\u2019identit\u00e9, des m\u00e9langes g\u00e9ographiques et de la valeur des origines multiculturelles. Les hommes se r\u00e9v\u00e8lent une for\u00eat d\u2019essences multiples, s\u2019extrayant du m\u00eame sol, de la m\u00eame terre.
Dans cette terre je fa\u00e7onne des enveloppes charnelles et ce sont leurs liens qui m\u2019int\u00e9ressent. \u00bb<\/p>\n

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\u00ab Je fa\u00e7onne des visages comme un moyen d\u2019acc\u00e9der \u00e0 l\u2019autre, de le faire exister, de le laisser m\u2019interroger \u00bb<\/p>\n

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\u00ab L\u2019enveloppe corporelle cache et r\u00e9v\u00e8le ce que nous sommes. Le visage agit comme un miroir pour acc\u00e9der \u00e0 l\u2019autre comme un reflet de nous-m\u00eames: L\u2019autre est-il moi? Sommes-nous deux? \u00bb<\/p>\n

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Fugacit\u00e9 de la m\u00e9moire. Lutte pour garder vivantes les images amoindries par le temps. Trace de ce que l\u2019histoire a fait de nous. Fragilit\u00e9 de bronze. Fragments d\u2019\u00e9ternit\u00e9.<\/p>\n

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Les trois gr\u00e2ces de la mythologie \u00e9taient les d\u00e9esses du charme, de la beaut\u00e9 et de la cr\u00e9ativit\u00e9, jeunes et nues, sculpt\u00e9es par des hommes. Pench\u00e9es sur nos berceaux de femmes, les f\u00e9es d\u2019aujourd\u2019hui nous font don de l\u2019absence, de la m\u00e9moire et de la r\u00eaverie.<\/p>\n

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%22L\u2019esp\u00e8ce humaine est-elle reconnaissable \u00e0 son enveloppe mortelle? Je me suis amus\u00e9e \u00e0 regarder en arri\u00e8re depuis un prochain si\u00e8cle.
Troph\u00e9es d\u2019esp\u00e8ces des XXII\u00e8me \u2013 XXIV\u00e8me si\u00e8cles, issus de la collection d\u2019antiquit\u00e9s du Mus\u00e9e Xiao Tuang (Chine).%22<\/p>\n

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_module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][dipi_carousel columns=\u00a0\u00bb1″ speed=\u00a0\u00bb5000″ loop_wide=\u00a0\u00bbon\u00a0\u00bb autoplay_wide=\u00a0\u00bbon\u00a0\u00bb continues_wide=\u00a0\u00bbon\u00a0\u00bb pause_on_hover_wide=\u00a0\u00bbon\u00a0\u00bb autoplay_speed_wide=\u00a0\u00bb501″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][dipi_carousel_child title_text=\u00a0\u00bbMagazine Art Aujourd’hui\u00a0\u00bb desc_text=\u00a0\u00bb<\/p>\n

\u00ab Des visages qui nous font face \u00bb<\/em><\/p>\n

\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/dipi_carousel_child][dipi_carousel_child title_text=\u00a0\u00bbCritique Artoth\u00e8que\u00a0\u00bb desc_text=\u00a0\u00bb<\/p>\n

\u00ab Une humanit\u00e9 saisissante de sinc\u00e9rit\u00e9 \u00bb<\/p>\n

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\u00ab Entre r\u00e9alit\u00e9 brute et imaginaire, Nadia ouvre le dialogue \u00bb<\/p>\n

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\u00c0 proposJe m\u2019appelle Nadia Dloussky. Mon chemin croise les arts plastiques autant que les aventures humaines. Avec comme h\u00e9ritage l\u2019image tut\u00e9laire d\u2019un a\u00efeul sculpteur chez Rodin et une histoire familiale faite de destins glorieux et bris\u00e9s, je poursuis l\u2019id\u00e9e que l\u2019on peut cr\u00e9er de ses mains et vivre plusieurs vies. Form\u00e9e \u00e0 la fois aux […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"\u00c0 propos \u2013 Nadia Dloussky, sculptrice contemporaine | Nadia Dloussky Sculpture","_seopress_titles_desc":"D\u00e9marche et parcours : visages \u00e0 taille humaine, argile et bronze. Formation, expositions, presse. Informations utiles aux galeristes et curateurs.","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"dipi_cpt_category":[],"class_list":["post-51","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nadia-sculpture.art\/en\/wp-json\/wp\/v2\/pages\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nadia-sculpture.art\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nadia-sculpture.art\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nadia-sculpture.art\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nadia-sculpture.art\/en\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":0,"href":"https:\/\/nadia-sculpture.art\/en\/wp-json\/wp\/v2\/pages\/51\/revisions"}],"wp:attachment":[{"href":"https:\/\/nadia-sculpture.art\/en\/wp-json\/wp\/v2\/media?parent=51"}],"wp:term":[{"taxonomy":"dipi_cpt_category","embeddable":true,"href":"https:\/\/nadia-sculpture.art\/en\/wp-json\/wp\/v2\/dipi_cpt_category?post=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}